Jan 25, 2013

Culture in New Orleans and Birth of Jazz


     The city of New Orleans played a crucial role in the emergence of the jazz music. First of all, New Orleans was culturally and historically different from other American cities. After French found the New Orleans in 1718, the city had been developed as a major trading port under the control of France. The city was filled with many exotic foods, goods and people including slaves from the all over the world. These people brought their own culture, religion, music, custom, tradition and everything. In a sense New Orleans, which had these cultural and racial diversities, was ready to accept totally new music long before the jazz emerged. From 1763 to 1801 New Orleans had been ruled by Spain until France retaken it in 1801. After the United States bought the city from France as a result of the Louisiana Purchase in 1803, the city rapidly flourished as the metropolitan trading city.
     I think the most significance in New Orleans was laid on religious culture the French and Spanish brought: the Latin-Catholic culture. Unlike the English-Protestant, it was racially and culturally more tolerant to the slaves. Under its rule, they were allowed to intermarry and buy their freedom. This racial tolerance still remained in the society after the United States ruled the city. This custom of the tolerance made it possible for the city to establish Congo Square in 1817. In that square the slaves were allowed to play music and dance while it was usually forbade in other locales.
     I imagine black people at that time were suffering from the inner conflict between African and American, so called double consciousness. Because black people were forced to come to New Orleans as slaves and most of them had never seen African land before, their identities were fragile. In that state of mind, music and dance was indispensable for black people because it is related to the humanity. I think black people had formed a collective memory of being black or African, sharing music and dance. Creating the collective memory, black people could establish their own strong identity of being African. The shared memory was handed down from generation to generation, until it took a form of ragtime, blues and jazz, as a result of adopting the elements of western music. In terms of those meanings, Congo Square was significant.
      In Latin-Catholic culture, Creole of color could establish their social status which was distinguished from black people. So they could belong to the middle class between White and Black. They identified themselves as White, not Black. So they had opportunity to experience and learn the Western musical culture like piano techniques. It is no doubt that their existence in New Orleans helped develop the cultural integration between African and European. This custom of the racial tolerance had continued until Jim Crow Era came after the Reconstruction. During Jim Crow Era, Creole came to be treated as Black. More and more Creole and Black came to play music together. When the cruel Jim Crow Era was about to come, jazz emerge in such an environment for the first time in the history. I think it was the Latin-Catholic culture that made it possible to mix African music with European music and create jazz.